From publisher:

Hana (Flower) - In my childhood neighborhood, there was a “temple for sanctuary.” This was a familiar place where I often played as a child. There, I found dying cluster of amaryllis (spider lilies), and was astonished by their beauty. I used a white background and shot the flowers until it got dark. This experience was the start of my “flower life.”

Kinbaku (Bondage) - There is the “aesthetics” of bondage, like bondage masters’ Kikko Shibari (bondage in a testudinal form.) But I don’t need perfection like that in photography. Nor does the bondage have to be good. By not pursuing perfection, I try not to make it too much of an “art work.”
When I tie-up women, I tell them “I’m binding your heart, not your body.” A woman can slip out of my bondage. It doesn’t have to be accomplished.
“Subete no onna wa utsukushii (All women are beautiful)” 2006

According to his words, Araki is “always thinking about Eros (sex/ life) and Thanatos (death).” As such, Araki’s works always embrace Eros and Thanatos as inextricably linked elements. In the exhibited works, Araki photographed Kinbaku (bondage) to express Eros, and Hana (Flower) for Thanatos, allowing them to coexist in the prints, conjoining them in a way that he has never tried before.

Limited edition of 500 copies.

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