Top Sellers

• Photo Editions 2021
• Softcover, 1st edition, 108pp
• New

In anywhere but here, Alison McCauley expresses the restless feeling that has haunted her throughout her life: that the place she is in isn’t where she should be, and a conviction that the next place will be better. Taken from 2008 to present, these images—taken in various locations around the world—are a deeply personal reflection of the artist’s emotions, photography being a cathartic means of coming to terms with her constant desire to move. As someone who has always led a semi-nomadic lifestyle, McCauley seeks to explore the idea of not belonging. Though she feels like she is supposed to belong somewhere, McCauley doesn't want to, as she recognises that it is the wonder of this belonging that is the impetus behind her work.   

Devoid of geographical and temporal reference points, the images are figuratively and literally blurred to emphasise that this is not about a location or time, but rather a state of mind. For the viewer the series takes on a narrative of its own, unfolding like a dream sequence: a body submerged in water, a flurry of balloons released into the open sky, city lights streaming through a hotel room, and fleeting scenes captured from a car window. Just as she is drawn to movement, it is these liminal spaces that the artist gravitates towards – the chaos, the stillness, and the magic in between. “The work comes from reality, but it’s a reality that’s distorted by subjectivity,” says McCauley. “It’s an expression of my state of mind during these restless off-moments.” 

A Special Edition is also available here.


For trade enquiries, please get in touch here

• Photo Editions 2021
• Softcover, 1st edition
• New
  
  

“The sheep stopped in their eating and looked timidly at us;
and the cattle, their heads turned from the wind and sleet,
stared angrily as if they held us responsible for both annoyances;
but, except these things, and the shudder of the dying day in every blade of grass, there was no break in the bleak stillness of the marshes.”

- Charles Dickens, Great Expectations

Situated on the Thames Estuary in southeast England, the North Kent Marshes are an overlooked but vital swathe of land. For centuries, trade has flowed in through the estuary and the surrounding wilderness harbours a rich history. In the 18th century, plague outbreaks ravaged Europe and ships were quarantined in the nearby Medway. The low-lying terrain provided the ideal conditions for smugglers, as small vessels would target ships transporting goods to the capital, allegedly sneaking the contraband down underground tunnel networks once ashore. It was against this illicit backdrop that Charles Dickens set the early parts of Great Expectations (1861), where the escaped convict Magwitch takes refuge in the marshes. 

Since 2011, Martin Amis has been photographing in the same marshland near his home, finding solace in the landscape through walking. This Land is the result of many walks over the past decade – much in the period from March 2020, coinciding with the UK’s first coronavirus lockdown. Devoid of people, Amis’ images invite a reconnection with nature: derelict industry reclaimed by the wild, grazing sheep and lone birds drifting across a monotone sky. Despite an undertone of loss and absence, Amis portrays a land that is continually being shaped by the elements and the civilisations that pass through it. If we listen closely, we might almost hear the shouts of the night watch over the gulf of time and the creaking prison hulks that once inspired Dickens.

Double hit silver wraparound softcover
24 x 30cm, 76pp
Tritone offset printed on Munken Lynx Rough

A Special Edition is also available here.


For trade enquiries, please get in touch here

• Trespasser 2021
• Softcover, 2nd edition
• New

Mark Mahaney’s Polar Night is a passage through a rapidly changing landscape in Alaska’s northernmost town of Utqiagvik. It’s an exploration of prolonged darkness, told through the strange beauty of a snowscape cast in a two month shadow. The unnatural lights that flare in the sun’s absence and the shapes that emerge from the landscape are unexpectedly beautiful in their softness and harshness. It’s hard to see past the heavy gaze of climate change in an arctic town, though Polar Night is a visual poem about endurance, isolation and survival.

2nd edition. 

• Mack Books 2022
• Hardback, 1st edition
• New

• Stanley/Barker 2020
• Hardback, 1st edition/1st printing
• New
  

Born in the Australian steel city of Newcastle, one of TRENT PARKE’S only early childhood memories is accompanying his mother to pick his dad up from work, travelling through a landscape dominated by ship yards, chimneys, and the BHP steelworks. 

Throughout his career PARKE has always been interested in the transformative powers of light, but it was the ephemeral changing colours of dawn and dusk, the multitude or different reds that made him curious about the colour crimson. He discovered the colour that is used in commercial products is harvested from the crushed and boiled bodies of the female scale insect, the Cochineal. A tiny minute insect who inhabits the pads of the prickly pear cactus and who are farmed for their crimson dye. A dye now used primarily in cosmetics and food colouring. 

Scarlet, magenta, orange, and crimson, are the coloured dyes produced by the Cochineal and also seem to feature spectacularly in the colours of creation, as seen in an Eagle Nebula during the birth of a new star and recorded by the Hubble space telescope. These colours of birth and blood Parke also remembers from the bath water, the umbilical cord and placenta, at the birth of his sons. 

‘As soon as the female insect is delivered of its new numerous progeny, it becomes a meer husk and dies; so that great care is taken in Mexico, where it is principally collected, to kill the old ones while big with young, to prevent the young ones escaping into life, and depriving them of that beautiful scarlet dye, so much esteemed by all the world.’ - John Ellis, Esq; 1762.

Out of print, final copies of the first printing.

• Stanley Barker 2023
• Flexibound, 1st edition/1st printing, 294p
• New
  

Trent Parke’s landmark publication Monument is a portal through which we bear witness to the disintegration of the universe over 294 expertly printed pages.

The monolithic publication is bound in leather bearing totemic coordinates to the planet Earth, blind stamped end sheets, black sprayed edges, and a loose steel plaque, that once removed, leaves the volume without language.

When Trent Parke moved to Sydney from a small Australian country town, his first impression was of the sheer volume of people. He would grab his camera and go out exploring at every opportunity, fascinated by the endless processions. 
At rush hour, he watched as the city workers moved in a great mass, all walking the great conveyer belt of life. In a trance-like state, treading the same path day after day, week after week, year after year… clocking on, clocking off, all under the spell of the city. Parke would stand on the edge of the wave, on the outside of a new world, looking in. As if watching a newly discovered species. 
 
 “At night I would watch the eclipse of moths, millions of them constantly circling the lights of the Sydney Harbour Bridge. At the same time, on my balcony, a miniature performance played out around the light above my head. The moths inevitably and without resistance were drawn to their ultimate demise. Spiralling out of control, like small spaceships caught in a tractor beam. Lured and blinded by the bright white light, they were taken out by hundreds of birds swooping in to snatch them from the air… spiders sat waiting on their webs. Built with precise coordinates across the face of the lights, they captured the hapless tiny creatures that slipped through. If any miraculously managed to survive that onslaught, they continued on, driven towards the flame, intoxicated by those burning hot light globes. Then suddenly an electrical charge in the still air. A small puff of smoke. Gone. Instant disintegration of a life form. Another blip in the universe. Another small spacecraft colliding with the blazing sun.”

- Trent Parke

Flexibound with embossed leather cover,  blind stamped end sheets, sprayed edges with multiple paper weights and gatefolds.

1st printing.

• EXB 2021
• Hardback, 1st edition
• New

Inspired by the title of a poem by the Finnish writer Aaro Hellaakoski, Me Kaksi (which translates to "us two" in English) celebrates the fortuitous encounter, the strange closeness, the presence in the world of two beings. Spanning more than forty years of peregrinations across the world, the photographs in this book, combining a selection of iconic and some unpublished ones, reproduce these fleeting moments seized surreptitiously by Pentti Sammallahti. The idea of the duo, the couple, of all kinds of accomplices appears recurrently in the photographer's work. Whether it is lovers, friends, children, passers-by, travelers, neighbors but also a man and his dog, two birds ... these images tell of attachment, tenderness, the universality of the emotional bond, “being-in-the-world” together.

English Edition.

• Stanley Barker 2020
  
• Hardback, 1st edition
  
• New
  

Christopher Anderson’s first child, Atlas, was born in 2008. He began photographing that experience in a completely organic and naive way. It was the natural action of a new father trying to stop time and not let one drop of the experience slip through. As a photographer, he had never photographed his own personal life. It never occurred to him that these photographs would be part of his “work”. They were external from what he considered his Photography. He was about two years into making those photographs when it dawned on Anderson that these photographs were, in fact, his life’s work and that everything he had done up to that point was a preparation for making those pictures.  

They became the book, SON, published in 2012 which portrayed a moment in time in Williamsburg Brooklyn, post 911 and the 2008 economic crash when artist lofts still made up the community before the luxury condos squashed the landscape. 

Pia could be called the spiritual sequel to that book. But this time, it marks a new era and search for hope in the Trump/ COVID19 reality. This time, Anderson’s daughter, Pia, is the protagonist and muse, and the backdrop is his French family’s return to Paris (Anderson became a naturalized French citizen in 2018). 

“The images portray a father-daughter relationship as well as a photographer-subject collaboration as the Pia’s takes control of her character. The passage of time comes with a certain melancholy, but also a declaration of hope that guides the photographs.” - Christopher Anderson 

• Sokyusha / Blue Lotus Editions 2022
• Softcover, 3rd edition
  
• New
  

"The Dreaming contains 86 black and white images selected from my 27 years’ career in photography and traveling. When I turned 50, I decided to go through all the black & white negatives I had taken so far. Every moment of the journeys may have been vision of dreams – that’s what I thought when I tracked down my archive and such a thought gave me a hint to make this book."

- Yasuhiro Ogawa

Signed copy.  3rd edition.

All our copies come with a 6'x4' postcard size inkjet print (signed and stamped)

• Mack 2020
  
• Hardback, 1st edition
  
• New
  

What is there between the branch and apple when it falls?
We have seen it—we would recognize it anywhere.  Yet of an evening we are told
nothing is there.                                
                                - Wright Morris

Raymond Meeks is renowned for his use of photography and the book form to poetically distill the liminal junctures of vision, consciousness and comprehension. In ciprian honey cathedral, he brings this scrutiny close to home, delicately probing at the legibility of our material surroundings and the people closest to us. 

Meeks has long been fascinated by the way we construct the world around us; how we carry our possessions, these accumulated comforts, inheritances, markers of material success; how we adorn homes with trees and shrubs, a mantle clock to count the hours. Stumbling across an abandoned house or unkempt lawn becomes a search for common clues to tiny hidden transgressions. 

This question of knowledge and understanding is perhaps most drastic in our solipsistic reality. Meeks also photographed his partner, Adrianna Ault, in the early mornings before she awoke, on the threshold at which daily domestic life converges with the deepest state of sleep. This plight of supine trance is a place of reprieve beneath the surface of consciousness, free from the chaos and uncertainty of the sentient world above, and alludes to the veiled threat that, ultimately, we are utterly unknowable to one another.

The signed edition includes a slip signed by the artist and bound into the inside back cover.

.

• Session Press 2020
  
• Softcover, new edition
  
• New
  

We Have No Place to Be (originally published by Soshisha in 1982) launched Hashiguchi’s illustrious 40-year career, and remains widely regarded as one of the photographer’s seminal early works. This new edition from Session Press, supervised and edited by Hashiguchi himself, is comprised of 139 b&w photographs, including more than 30 previously unpublished images. 

In the early 1980s, Hashiguchi began to document the plight of the young with his debut work, Shisen. Stifled by the mounting pressures posed by an increasingly oppressive education system and home life, these youths sought out their own identities on the streets of Tokyo—a lost tribe desperate for self-expression, repelled by a society that sang the praises of abundant riches and stability. Turning his lens on the global stage, Hashiguchi traveled through Liverpool, London, Nuremberg, West Berlin, and New York in a quest to further chronicle communities of disenfranchised youths abroad. In these five cities, Hashiguchi witnessed the complex cocktail of self-destructive discord lurking beneath the superficial excesses of city life. Revealing the entrenched drug addiction, racism, anti-immigrant sentiment, unemployment, and poverty that pervaded urban centers then as now, Hashiguchi’s photos challenge the viewer to reexamine what we have both become and lost.

The complexities of youth have served as a captivating theme throughout the annals of photographic history. Photographers such as Danny Lyon, Bruce Davidson and Larry Clark made masterpieces with their investigations into the subcultures of renegade bikers, street gangs, and rebellious adolescents teetering on the dramatic cusp of adulthood. However, Hashiguchi is distinguished by a uniquely unwavering dedication to this theme. The sheer breadth of his travels in Tokyo and the West alike, coupled with a rapt intensity for documenting the “troubled youth” of the 1980s, evinces a scale and specificity rarely attempted and arguably even unrivalled.

Since its initial publication in 1982, We Have No Place to Be has influenced generations of artists and photographers in Japan. One such artist and close friend is none other than Yoshitomo Nara, who has contributed an essay reflecting upon the legacy of the publication since its original release as well as his own time spent as a youth in Europe during the ‘80s.

• Trespasser 2023
• Hardback, 1st edition
• New

Photographs taken in rural Texas, most in Leon County.

O gaze into the fire
and be consumed with man's despair,
and be still, and wait.
And then see the world go on
with the patient work of seasons

– Wendell Berry

Edition of 1500 copies.

In stock now.

• TBW 2020
• Hardback, 1st edition
• New

A foreboding meditation in the vein of Southern Gothic literature, Drake’s most recent body of work emerged through her collaboration with an enigmatic group of women loosely calling themselves “Knit Club.” The nature of the club is ambiguous. It is a cross between a gang, a cult of mysteries, and a group of friends bound by secrets only they share.

The book follows a narrative structure loosely borrowed from Faulkner’s As I Lay Dying–– that is to say, not one omniscient narrator but many disparate stream-of-consciousness voices. We sense the authorship of the photographs to be collaborative, the result of creative play between Drake and the club in which she found herself embedded, their process a kind of alchemy. In the style of the Gothic, Drake’s masterful use of color to create mood opens the door to the tension between the real and the supernatural. What we find, however, is not grotesque but something vital. A community that manages to exist outside the gaze or control of men. Women, children, and mothers, shrouded in masks and mystery to live a life on their own terms.

Following three critically acclaimed self-released books– Two Rivers (2013), Wild Pigeon (2014), and Internat (2017) –Knit Club is the first book Drake has made in collaboration with a publisher. Drake is the recipient of a Guggenheim fellowship, among many other awards, and became a member of Magnum Photos in 2019.

• Mack 2021
• Hardback, 1st edition
• New

The British Isles is an account of thirteen years of life across the United Kingdom, as seen through the lens of Jamie Hawkesworth. In this sprawling sequence of portraits and landscapes, Hawkesworth surveys the characters and terrains that make up the everyday fabric of his home country: schoolchildren and shopworkers, markets and estates, priests and professionals, cities and construction sites.

These photographs chart an alternative history of this eventful period of British history; a period punctuated by austerity, referenda, celebration, and conflict. And yet as much as a historical document this book is an exercise in curiosity, presenting a radically democratising portrait of the United Kingdom in which individuals, buildings and natural scenes are imbued with Hawkesworth's generous and dignifying eye. 

Signed to the title page in pencil.  

• Charcoal Press 2020
  
• Hardback, 1st edition
  
• New
  

The Locusts is the first monograph by photographer and publisher Jesse Lenz. His images transport the reader to rural Ohio where his children run wild in the fields, build forts in the attic, and fall asleep surrounded by lightsabers and superheroes. The microcosmic worlds of plants, insects, animals, and children create a brooding landscape where dichotomies of nature play out in front of his growing family. The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons. The Locusts depicts a world in which beautiful and terrible things will happen, but offers grace and healing within the brokenness and imperfection of life.

Signed copy.

• Stanley Barker 2021
• Hardback, 1st edition
• New

“The week before Trula died, she began spending entire days reclined in her field. Her body would be so still we’d come up closer to be sure she hadn’t left us. A slight movement of her head chasing a loose swallow, or a finger grazing a plucked blade of grass was enough. Tuesday night she had come into the kitchen after a particularly long 12 hours in her field. Her hair disheveled like a bird nest. She looked at a rhubarb stalk on the table and said to us “all this time I’ve never seen the flowers growing, but they’re taller every morning.” - P. Guilmoth 

P. Guilmoth’s At Night Gardens Grow is an elegy to a queer world that rests between the personal landscapes of home, and the ubiquitous terrains of identity. At Night Gardens Grow is about the island it was created on, just as much as it’s about the interior worlds we carry with us. Combining carefully crafted large-format photographs with more impulsive documentary photographs, Guilmoth moves through the found and fabricated landscapes of somewhere that’s never quite fixed or distinguished, but palpably familiar.

These photographs have one foot in modern America and the other in a land of the past—haunted by the ghosts of lived experience, family, and the land we inhabit. Any clear sense of locality is lost in favour of a more fluid and universal language of symbols and stories. A duality exists in this place that has both a desire to preserve, and an instinct to shed its skin, exposing a burgeoning folkloric force at work beneath its surface.

From baptisms, monuments of spider-silk, funerals, house-fires, holes carved in rock, and birth: At Night Gardens Grow is about stories that are as fragile as the world they’re built on.

This book is for Trula Drinkard-Goolsby, who died on July 17th, 2021 after one last day laying in the field. 

Out of print, final copies.  Sealed.

• Benrido, Inc 2021
• Set of 6 multi colour collotype prints
  
• New

As part of Benrido’s mini-portfolio series, Saul Leiter: Selected Works brings together a selection of well-known and well-loved images by American photographer Saul Leiter (1923 – 2013). Within, a selection of six images have been chosen from previously published bodies of work such as Cap, 1960, Driver, 1950s and Walk with Soames, 1958. This special portfolio was made in parallel to the Exhibition “Forever Saul Leiter” held at Tokyo’s Bunkamura Museum in January – March 2020. 

Set of 6 multi colour collotype prints printed by Benrido, Inc.

Print Size: 25.4 x 20.3cm. Case Size: 20.6 x 25.8 x 0.8cm


In the 1880s, the collotype printing process was introduced to Kyoto and in 1905 Benrido began producing collotypes. Collotype is one of the earliest forms of printing techniques and was invented in France in 1855 by Alphonse Poitevin as a method for photographic fine art printing.  Due to the high level of print and archival quality, it has since been used primarily as a way to reproduce and preserve Japan’s National Treasures and cultural properties. Today Benrido Collotype Atelier remains as one of only a few studios left in the world capable of producing fine colour collotype prints.

Back in stock.

• Stanley Barker 2020
• Hardback, 1st edition
• New

For the past 14 years, artist, actor and skateboarder Jason Lee has traversed America making quiet, reflective photographs detailing the landscape and its oft-overlooked and forgotten places. 

His new book In The Gold Dust Rush draws together 84 never before published black and white photographs from the last 12 of those years into a meandering journey from the mountains to the city.

“Since my first photographic outings in my native California in 2006, where I explored a more rural, perhaps neglected face of the state, and the many subsequent outings zigzagging through the West Coast, the Southwest, and Texas, I remain fascinated by these American scraps, by evidence of cancellation and departure, and the environmental contradictions that make up our collective everyday view. These conflicts, at once strange and beautiful, this is where the questions are. It’s then and now splitting time, man and nature pushing up against each other, and progress forever forcing itself on the contented. And somewhere in the middle you make pictures.” Jason Lee

Sealed.

• Koenig 2019
  
• Softcover, 1st edition
  
• New
  

This publication brings together the work of German photographer Joachim Brohm (born 1955), credited with being one of the first photographers in Germany to work exclusively in color, and American photographer Alec Soth (born 1969). Joachim Brohm & Alec Soth: Two Rivers focuses on the emblematic series both artists have shot in river regions: Brohm's Ruhr series (1980-83) and Soth's Sleeping by the Mississippi (2000-04). 

Other work included in this volume, such as Ohio, Dessau Files and Culatra by Brohm, and Songbookand Niagara by Soth, represent fictitious places and allow for a broader view of the oeuvres of the two photographers. Given a special position in the book is Brohm's portrait series Flash Ohio (1984), published here for the first time, exactly 35 years after its creation. Vince Leo and Wolfgang Ullrich contribute texts.

• Photo Editions 2022
• Hardback, 1st edition
• New

Across the UK, town centres are undergoing a major transformation. Over the past decade, empty storefronts have become an increasingly familiar sight as businesses disappear from our high streets, leaving an atmosphere of uncertainty in their wake. In 2021 alone, more than 17,000 stores shut down nationwide – the combined result of the growth of out-of-town retail, the rise of megastores and more recently a shift towards online shopping, all exacerbated by a global pandemic. 

While working on his previous project This Land, Martin Amis noticed the prevalence of closed premises, and began to explore this phenomenon further. Between 2019 and 2022, Amis photographed closed shops across Kent, gradually building a picture of how British towns are being reshaped by the decline of the high street. From pubs, post offices and bookshops to newsagents and social clubs, these spaces once served a vital role for communities. Focusing on the overlooked elements and architectural details, Amis captures the multiple layers of these buildings as they have morphed over the years, each revealing signs of social change.

Photographed in deadpan monochrome, these vacant storefronts are symbolic of a greater loss: the sense of community and cultural identity these spaces foster. The social spirit of local pubs and daily conversations in the corner shop are just some of the simple but crucial elements that help people feel less isolated and alone. In Closed, Amis presents a picture of the changing face of Britain through the microcosm of the high street. These ghost streets speak of the fragmentation of communities, an uncertain future and the ongoing evolution of Britain’s urban spaces.

Spiral-bound hardback, 240x285mm, 98pp. Tritone printing.

Signed copy.

A slipcased special edition, each with a unique print is available here.

• Blue Lotus Editions / Photo Editions 2024
• Hardback, 2nd edition, 100p
• New

Yasuhiro Ogawa’s new photobook Into the Silence captures the rugged yet timeless beauty of Japan’s northern region as he follows in the footsteps of the 17th Century poet Matsuo Bashō.

The story of Matsuo Bashō's journey through the northern provinces of Japan in the 17th century, is recounted in his travelogue "The Narrow Road to the Deep North,” ("Oku no Hosomichi”). In the summer of 1689, Bashō set out on his journey with his traveling companion Sora. They traveled on foot, carrying only minimal provisions and staying in humble lodgings along the way. Bashō was seeking inspiration for his poetry, and he found it in the natural beauty and cultural richness of the places he visited.

Like Bashō before him, Ogawa set out on a journey through the Tōhoku region, unlike Bashō, who traveled on foot with pen in hand, Ogawa preferred to move by train with camera in hand.  His photographs capture the rugged beauty of the landscape, from snow-covered mountains to misty forests and along deserted roads with glimpses of wild oceans, often shot through foggy windows on a train in motion. Through his lens, Ogawa reveals a world that is both remote and timeless, a world in stillness and motion.

Despite the passage of centuries, the challenges faced by Bashō on his journey are still evident in Ogawa’s photographs. The loneliness and isolation of the road are palpable in the shots of empty trains, lone tracks or roads and desolate hotel interiors. So are the physical challenges of traversing rough terrain and inclement weather documented in his muted photographs.  There is a marked contrast between the beauty and tranquility of the landscape and the harsh realities of life in this remote region. From plain coastal towns to empty streets, Ogawa’s images reveal the toll that economic decline and depopulation have taken on the area. Yet there remains a sense of hope and resilience.

Hardback 2nd edition (1st was softcover)

Signed copy. 

Copies of Into The Silence, with a signed print are available here.

• Benrido 2022
• Set of 6 collotype prints
• New

Fan Ho (1931-2016) was one of Hong Kong’s most renowned photographers. Having moved from Shanghai to Hong Kong in 1949, he captured Hong Kong streets and people’s daily lives during the 50s and 60s, amidst the city’s economic transformation. Fan Ho often composed his photographs with unique geometrical compositions and textures, while creating a sense of atmosphere with the interplay of light and shadow. With the collaboration between the Fan Ho Foundation and Blue Lotus Gallery, Kyoto Benrido has created a collotype portfolio containing six of Fan Ho’s signature works, with each print handmade by master printers in Benrido’s atelier.

Set of 6 black and white collotype prints printed by Benrido, Inc.

Print Size: 25.4 x 20.3cm. Case Size: 20.6 x 25.8 x 0.8cm


In the 1880s, the collotype printing process was introduced to Kyoto and in 1905 Benrido began producing collotypes. Collotype is one of the earliest forms of printing techniques and was invented in France in 1855 by Alphonse Poitevin as a method for photographic fine art printing.  Due to the high level of print and archival quality, it has since been used primarily as a way to reproduce and preserve Japan’s National Treasures and cultural properties. Today Benrido Collotype Atelier remains as one of only a few studios left in the world capable of producing fine colour collotype prints.

• RRB 2020
• Hardback, 1st edition
• New
  

101 Pictures is the first english language retrospective of Wood’s work, casting light on his 25 year long testament to the people of Merseyside. It includes previously unseen photographs, alongside major works such as the infamous nightclub series, Looking for Love, (1989) and from his seminal Photie Man (2005) publication.

"Many of the images that I have selected here are portraits; these are strong, albeit subtle and understated. Tom photographed whole families, groups of workers, couples and individuals, always conveying a sense of dignity and respect.” - Martin Parr

“Wood achieves an intimacy with his subject that’s at once rude and tender…  loose, instinctive, and dead-on.” - Vince Alletti, The New Yorker. 

Edition of 1500 copies.

Signed copy.

• Stanley/Barker 2020
• Box set of 45 facsimile polaroids, 1st edition/1st printing
• New

Often considered Jim Goldberg’s seminal body of work, Raised By Wolves collages ten years of photographs, texts, films and installations into an epic narrative of the lives of runaway teenagers in San Francisco and Los Angeles in the late 1980s and early 1990s.

In Fingerprint, Goldberg exhibits many never-before-seen Polaroids from the project, which served as drafts for photographs he would later make, as well as gifts for the subjects themselves. The images are sometimes scrawled with text proclaiming the identities, challenges, and resilience of the teens, and other times capture a quiet reality of life on the street.  

Encased in a limited edition box set, the 45 loose leaf facsimile Polaroids create a freshly intimate and fragmented account of this classic body of work.

• Photo Editions 2022
• Softcover, 1st edition, 92p
• New

The coastline is an intrinsic part of British identity. Associated with freedom and escape, coastal towns have always drawn those seeking respite from landlocked cities, with seaside resorts serving a primary purpose: to entertain. In Silent Coast Rob Ball shows a different reality. Travelling the length of the English coastline, he captures the structures built along the edge – and in the process reflects on their vulnerability in the face of change.

Out of season these coastal resorts seem far removed from the fun they were designed to offer, revealing carefully manufactured environments, fortified by borders and surveillance. Silent Coast exposes the fragility that exists beneath the facade, a coast open to shifting economic forces and rapid environmental change. Devoid of people, the monochrome scenes reflect on the homogeneity of the coast; without place or time markers, resisting identification yet remaining deeply familiar.

Swiss-bound, tritone offset printed softcover, 28x24cm.

A special edition is available here.

• Mack 2021
• Hardback, 1st edition. 128pp
• New

In 1977, Stephen Shore travelled across New York state, Pennsylvania, and eastern Ohio – an area in the midst of industrial decline that would eventually be known as the Rust Belt. Shore met steelworkers who had been thrown out of work by plant closures and photographed their suddenly fragile world: deserted factories, lonely bars, dwindling high streets, and lovingly decorated homes. Across these images, a prosperous middle America is seen teetering on the precipice of disastrous decline. Hope and despair alike lurk restlessly behind the surfaces of shop fronts, domestic interiors, and the fraught expressions of those who confront Shore’s 4x5” view camera. Originally commissioned as an extended photographic report for Fortune Magazine in the vein of Walker Evans, Shore’s multifaceted investigation has only gained political salience in the intervening years. Shore’s subjects – including workers, union leaders, and family members – had voted for Jimmy Carter the year preceding his visit; now he found them disillusioned with the new president, fated to leave behind the Democratic party and become the ‘Reagan Democrats’. Through unfailingly engrossing images by one of the world’s acknowledged masters, Steel Town provides an immersive portrait of a time and place whose significance to our own is ever more urgent. 

The signed edition includes an extra image plate signed by the artist and glued into the inside back cover.

• Jiazazhi 2020
  
• Hardback, 1st edition
  
• New
  

Alec Soth's first photobook published in China to accompany his first solo exhibition “The Space Between Us” in China at Shanghai Center of Photography, 2020.  Includes 46 photographs from across his body of work, alongside five essays, The Moment Behind the Moment by Liu Heung Shing, Storyteller, Alec Soth and Alec Soth's Multiple Identities & Space-time Moments by Zhang Wenxin, Photographer Alec Soth: Taking a Meditative Approach Towards Photography by Shi Hantao, Forks in the Road-Alec Soth's Journey Along the Road to Here by Karen Smith.  Text in Chinese and English.

• Nazraeli 2023
• Hardback, 1st edition
• New

Jungjin Lee’s extraordinary new artist’s book, Voice, comprises 46 large-scale photographs made in 2018 and 2019. While the photographs were originally made in deserts, mountains, oceans and plains, the artist writes, “My images should be seen as metaphors, a form of meditation. I do not depict landscapes or nature. The desert allows me to see my inner self, and my goal is to make images of what I feel there: the eternal sense of being open and present to the world.”

Lee’s work has expanded the boundaries of the photographic process to create images that are simultaneously textural and minimalist. After printing an image on hand-emulsified cotton or mulberry paper, she then alters its finish, using technological processes that result in a distinct, high contrast image.

Born in Korea in 1961, Lee began photographing while a student at Hongik University in Seoul, where she earned a BFA in ceramics in 1984. After graduating, Lee worked as a photo journalist and freelance photographer. She earned an MA in Photography from New York University in 1991. While in New York City, Lee worked for the photographer Robert Frank. Later, she traveled across the country and was deeply moved by the American desert, which became the subject of several of her photographic series. 

• Xavier Barral 2022
  
• Hardback, English edition
  
• New
  

Traveller-photographer Pentti Sammallahti captures the myste­ries of nature on his travels and among these, the world of birds. Coastlines, swamps, parks, endless plains, forest clearings, snowy landscapes… In these isolated areas, birds slyly reveal their pres­ence. 

Like visual tales, his B&W photographs attest to his extraordinary eye for detail, to light that sculpts spaces, to silent expanses in which a human or animal presence suddenly appears. The experience of the image is twofold: beyond its narrative virtuosity, his use of a two-colour process, with immaculate whites (as in the plumage of his swans or pink flamingos) confronted with deep blacks, creates a play of textures and powerfully renders a world in which birds play a unique role.

This book constitutes one of the two first titles of Des oiseaux (On birds) collection celebrating, through the vision of different artists, their immense presence in a world where they are now vulnerable. Accompanying these photographs, the ornithologist Guilhem Lesaffre showcases the relationship to the seasons that is a fundamental aspect of the life of birds. Where it exists, winter is a major constraint that birds must grapple with and that notably leads to strategies in their search for food and energy economy, or socialising. The author here associates the life of birds in winter with Pentti Sammallahti’s photographs.

English edition.

Sealed.

• Aperture 2020
• Hardback, 1st edition
  
• New
  

In Let the Sun Beheaded Be, photographer Gregory Halpern focuses on the French Caribbean archipelago of Guadeloupe, a French overseas region with a complicated and violent colonial history. 

Renowned for his photographic meditations on place, Halpern presents a compelling portrait of Guadeloupe and its inhabits, focusing on local histories and experiences.  Let the Sun Beheaded Be commingles life and death, nature and culture, and beauty and decay in enigmatic color images of the archipelago’s residents and lush landscape, as well as monuments related to the brutality of its past.

The project is part of Immersion, a program of the Fondation d’entreprise Hermès, in partnership with the San Francisco Museum of Modern Art and the Fondation Henri Cartier-Bresson.

• Photo Editions 2022
• Hardback, 1st edition, 88p
• New
  

“The deeper I dug, the more the city shared it’s secrets with me.”

In his debut monograph, Nick Gervin presents a surreal look into the flip-side of American culture, all captured on the stage of the small city of Portland, Maine.

In December 2008, Gervin suffered a traumatic head injury after being assaulted, an event that would dramatically alter the course of his life. Barely able to afford rent after having recently been laid off from work in the fallout of the recession, he swiftly spiralled into poverty and addiction – a situation exacerbated by his injury, the second head trauma he’d experienced in his lifetime. Diagnosed with Post-Concussion syndrome, Gervin developed severe sensitivity to light and sound and experienced debilitating migraines which left him feeling like a “prisoner in his own body”. Favouring the dark, quiet nights over the chaos of daytime, it was during these periods of solitude and broken sleep that Gervin rediscovered photography, nocturnally roaming the streets with his camera and finding a renewed sense of purpose in the process.

What followed was a ten year pursuit of photographing the many layers of his home city which saw him capturing everything from protest marches to wrestling bouts to drunken night-time brawls and even venturing down into the long forgotten subterranean networks of tunnels beneath. As Gervin explains, “I was driven by my anxieties, trying to stay sober while I attempted to make sense of what I saw. I was making a record of a place in time; a portrait of a city that I’ve grown a deep attachment to. As time went on and I felt compelled to continue the work, I realised it was not just myself but also the city and it’s Portlanders that were at a crossroads.”

Tritone offset printed hardback with oversized reverse french fold dust jacket, 240x285mm.

A choice of special editions are also available here.

For trade enquiries, please get in touch here

• Mack 2021
• Hardback, 2nd edition
• New

For more than two decades, Alessandra Sanguinetti has been photographing the lives of Guillermina and Belinda, two cousins living in rural Argentina, as they move through childhood and youth toward womanhood. This volume, originally published in 2010 and reissued now as the first instalment of a trilogy, chronicles the first five years of their collaboration. Sanguinetti’s images portray a childhood that is both familiar and exceptional. The farmlands of western Buenos Aires province are a particular mix of the modern and traditional, where life is lived in consonance with animals and rugged landscapes. Against this backdrop, Guille and Belinda go through the childhood rites of dressing up and make believe, exploring and appropriating the world around them as they go. As they slip between roles, alternately performing for and being caught by Sanguinetti’s camera, the profound bond between the two girls is unmistakable. Approaching the precipice of early adolescence, their games are imbued with the poignant weight of their dreams and desires as the world of play meets that of reality. By depicting the lives of women and girls within the conventionally masculine world of Argentinan gauchos and farmers, Sanguinetti’s book interrogates the frameworks of mythologies of all kinds, honouring lives that are usually unseen. The Adventures of Guille and Belinda is a portrait of rural childhood at once quiet and poetic, in which the fantastic and the mundane are intimately entwined.

2021 Mack printing.

The signed edition includes an extra image plate signed by the artist and glued into the inside back cover.

• Stanley Barker 2020
  
• Hardback, 1st edition
  
• New
  

“At 13 we wore faded jeans, torn at the knees, tight white t-shirts, long straight hair parted down the middle. We wandered through the suburban landscape hiding in corners, smoking cigarettes, looking for stuff to do."

“Throughout my childhood years, growing up beneath the shadow of Mt. Diablo in the California suburb of Walnut Creek, I watched the rolling hills and valleys mushroom with tract homes and strip malls, and to me and my teenage friends, they were the blandest, saddest homes in the world.The starkness of the landscape hurt my eyes. The low brown hills coated with dry grass, scratching my ankles, fox tails caught in my socks. I was always looking for a place to hide from the bright, white sky. The raw dirt yards and treeless streets, model homes expanding exponentially, with imperceptible variation.” - Mimi Plumb

In her early twenties, the American Photographer Mimi Plumb looked back to her Californian childhood to make a series of photographs about suburban youth. The resulting photographs collected in her new book “The White Sky’ builds a world in which an unknown trauma hangs heavy in the air, and children rule the roost.

Sealed.

• Mack Books 2020
  
• Hardback, 1st edition
  
• New
  

Transparencies: Small Camera Works 1971-1979 offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, Uncommon Places. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key.

The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master.

• Photo Editions 2023
• Hardback, 1st edition
• New

The photographs in Folly, the debut photobook from Jamie Murray, were born from a series of conversations with individuals who have been incarcerated. Discussions of what had led to punishment, navigating the prison environment and the transition to freedom flowed towards philosophy, ideas of discipline and punishment, intertwined with questions around natural order and spirituality. The resulting allegorical photographs in Folly refer, both directly and indirectly, to what was said and how these conversations affected Murray.  

Murray first began speaking to the individuals in 2017 in an attempt to understand more about their experience with the aim of making a documentary series within a prison. Most had been in numerous prisons over long periods of their life, often multiple times, and Murray hoped to document these meetings and brought along his camera. Some individuals would allow portraits, and others not. As the conversations evolved, so did the project, as the encounters led him to reflect upon his own life, choices and history with meandering thoughts and emotions relating to what had been discussed.

The pictures in the book begin with an imposing folly - an ornamental structure of no purpose, both foolish and excessively costly. The images that follow, a pile of coins glistening in the undergrowth, gathered crows, a fish gasping for breath outside water, rows of butterfly pupae, interweaved with haunting portraits of some of the individuals evoke a fractured narrative, a rumination on these conversations and the relationship between man and nature, co-existence and interference. 

A special edition with signed print is available here.

For trade enquiries, please get in touch here

• Photo Editions 2024
• Softcover, 1st edition, 104p
• New

“the way the light shimmers on the surface and the dark flip side of it all”

Shimmers by Alison McCauley features an enigmatic sequence of images captured in the Côte d’Azur between 2013 and 2023.  The Côte d’Azur is a destination that’s invaded by visitors and tourists year upon year. It offers a hedonistic lifestyle that attracts many in search of escapism, pleasure and fast money; a great deal happens in the shadows here.

“While working on this series, I often had a quote from Somerset Maugham in my head. He referred to the French Riviera as ‘a sunny place for shady people.’ This connected with what I saw and felt. It’s this contrast between the beautiful, shimmering surfaces and the dark, flip side that intrigues me. Shimmers is my love letter to this place … but it’s a pragmatic, eyes wide open kind of love.” 

- Alison McCauley

Printed in a mix of duotone and silver printing, Shimmers dares you to enter the dark heart of the French Riviera.

A choice of special editions with a print are available to purchase here.

For trade enquiries, please get in touch here

• T&M 2020
  
• Hardback, 1st edition
  
• New
  

Gerry Johansson started his career as freelance photographer since the mid-1980s, and has been making quiet pictures around the world.

For Ehime, Johansson travelled Ehime prefecture where is located southwest of Japan with stunningly beautiful area to explore with nature. Johansson had visited Tokyo in the seventies and eighties, but 1999 was the first time for him to visit countryside region of Japan as he was invited for residency program. Compared to the big city Tokyo, Ehime has different aspect of Japan. He enjoyed to see how the symbols of traditional, culture, and respect for nature lives in modern society.

He has shown some of Ehime photographs before in some books, but this is the complete edition of his Ehime series.

Edition of 800 copies.

Final copies.
 

• Stanley Barker 2022
• Flexibound, 1st edition
• New

Christopher Anderson began photographing his family in a completely organic way. His images were simply the natural action of a partner trying to stop time, and not let one moment of his relationships slip by.

As a photographer, he had never thought of his personal photographs as ‘work’ until photographer Tim Hetherington saw a photograph Anderson had made of his wife Marion and said, “this is about the passing of time”. Anderson began to see his personal images in a new light, and over time, would come to feel that these photographs were, in fact, his life’s work. Anderson's new book, Marion, marks the closing chapter of a trilogy of books that chronicles their lives, and loves in beautiful depth over the course of their partnership.

"It was never some sort of creative exercise. The photographs are expressions of love…a record of that expression. They are more than memories." - Christopher Anderson

• the(M) éditions / IBASHO 2022
• Softcover, 1st edition, 192p
• New

"Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present."

-René Magritte

Photography duo Albarrán Cabrera uses photography as a tool to investigate reality. The images that make up their latest book ‘Photography Syntax’, function as the notebooks of their philosophical research. Together with the texts, the photographs testify to the use of photographic processes as a means of going deeper into the reasons and thoughts behind the images.

Texts in English by Albarrán Cabrera

First edition with cover as shown.

• RRB 2020
  
• Hardback, 1st edition
  
• New
  

Peter Mitchell’s Early Sunday Morning is made up of over 90 previously unpublished images, each one selected from a cache of five hundred negatives which have sat undeveloped for over 30 years.

Early Sunday Morning, edited and sequenced by John Myers, shows a different Leeds to Mitchell’s earlier publications. It is neither the sombre look at destruction seen in Memento Mori, nor the detached view of ‘the man from mars’ of A New Refutation of the Viking 4 Space Mission, but a more intimate document of Mitchell’s own Leeds.

The book reveals the layers of the city’s history, exposed by the changes to the urban landscape that epitomised the 1970s and 80s. Hundred-year-old terraces and cobbled streets sit flanked by concrete flats, with newly cleared ground to either side are presented with Mitchell’s typical graphic framing.

“It is as if Peter Mitchell has taken the atmosphere and mood of Edward Hopper’s famous painting and established it as a matter of documentary fact in the north of England at a moment when collapse can lead to further desolation or possible renewal. So these beautiful pictures are drily drenched in history – social, economic and photographic.”  - Geoff Dyer

Early Sunday Morning is available in an edition of 1500 copies.

• Twin Palms 2022
• Hardback, 1st edition, 304p
• New

For the past twelve years, Stacy Kranitz has been making photographs in the Appalachian region of the United States in order to explore how photography can solidify or demystify stereotypes, and interpret memory and history in a region where the medium has failed to provide an equitable depiction of its people. Rather than reinforcing conventional views of Appalachia as a poverty-ridden region, or by selectively dwelling on positive aspects of the place and its people to offset problematic stereotypes, this work insists that each of these options are equally problematic ways of looking at place.

This work does not attempt to illustrate a certain type of injustice in the hope of remedying it. Instead, Kranitz has come to Appalachia to open up a new kind of narrative, one that examines our understanding of culture and place in a manner that is poised between notions of right and wrong.

As the narrative of As it Was Give(n) To Me unfolds, the book provides an intimate perspective on a region forced to transition away from coal extraction as its dominant source of economic stability, an opioid epidemic that has wreaked havoc on communities, and the role of Appalachia in a politically divided nation.

• Stanley Barker 2021
• Hardback, 2nd edition
• New

On a map of the south-eastern U.S., the 245-mile Ogeechee River cuts a diagonal path across Eastern Georgia before curling south of the city of Savannah and emptying into the Atlantic Ocean. It is known locally as Blackwater River for its slow moving waters that are like black glass, reflecting the sky and flora overhead and masking the tangle of life forces beneath.

In November 2017, Robbie Lawrence, accompanied by writer Sala Patterson, travelled to the Low Country, the coastal region straddling Georgia and South Carolina near where the Ogeechee River meets the ocean with the aim of documenting the nuances of issues driving news cycles and political divisions through the lens of one place in America.

Blackwater River captures, in image and spirit, Lawrences time in the Low Country – a series of profound encounters and abstract reflections, some inspiring, others harsh but all indelible. Each moment is individually significant while collectively hinting at larger, more elusive truths.

2nd edition.

• Stanley Barker 2021
• Hardback, 2nd edition, 1st printing
• New

Following the birth of his son Atlas, Christopher Anderson stepped away from war photography, turning his camera towards an intimate reflections of family life, resulting in his 2013 book Son. 

Stanley/Barker is proud to publish a beautifully reimagined edition which adds a second chapter of 80 new pages to the story, following Christopher and Atlas's relationship up to the present day. The book includes both Anderson's original images from Son (2013) plus 40 never before seen images.

“These photographs are an organic response to an experience that is at the same time the most unique and the most universal of experiences: the birth of a child. At the same time that I was experiencing the intense joy of new life, my father was diagnosed with lung cancer. It’s fair to say that I found myself reflecting on obvious themes of life and death. Through my son, my role as the son took on new meaning and my senses were hyper tuned to the evidence of my own life passing. Then these photographs just sort of happened. They are a record of love and a reflection on the seasonal nature of life.”  - Christopher Anderson 

1st printing of the Stanley Barker edition.  Final copies.

• Self-published 2020
• Softcover, 1st edition
• New

"She told me she was the daughter of a farmer from an Island I visited a long time ago.

Sometimes meetings are short, intense, sometimes they last a lifetime.

What is it to be invited into a diary, to be offered a key to unlock what lies within? Long memories triggered by each lived moment, if shared, to know and understand that we are not alone. Sometimes we know where and when.

Her silent footsteps tread upon a shabby red carpet. She scans what lies before her, stopping just long enough to make a single frame and move on.

With tenderness she looks up to take in a string of fragile paper lanterns along a corridor we don't know where it’s leading. Always walking.

What is it to know joy on seeing the free movement of the figure as it glides so effortlessly through water, sound muted by its vast expanse that surrounds and supports it? Only once does the figure come up for air.

What is it to appreciate the sensation of a retreating tide? To silently observe a solitary figure who seems feeling and measuring the air.

Who is the woman who patiently waits for her to catch up, catch up at the pace of the human heart?

Always walking.

What is it to feel the sensation of mist as she steps upon the earth so close behind her sheep, or to see her own breath as she moves long a car-less snow-covered road?

Along these tracks and pathway there’s always light.

Sometimes a flood of artificial light that renders expressionless the figures that move within it.

A dog instinctively slips into the shadows. But more often it’s the light cast by the moon, or the light when day becomes night or night day.

She follows those figures, first at proximity, and then a little further away, less sure, still she stays, and still she follows.

These are moments of a certain kind of solitude that still manage to find a connectedness.

Always walking always walking." 

- from the accompanying text by Vanessa Winship

Self-published handmade trifold book which consists of three booklets stitched on the cover. Printed on offset Lithoprint by Pureprint printers using vegetable based inks.

Book opens to 21 x 88.8 cm. 2,197 possible combinations of images (thirteen to the 3rd power).

Numbered edition of 800 copies, signed.

• Mack Books 2021
• Hardback, 1st edition
• Near fine

‘We live our lives in widening circles, rarely appreciating their nature and how they bring us back. In a year, my daughter will be leaving home and is no stranger to a similar wanderlust I once knew. As a father, I always felt it was important to instill a profound sense of place, to identify with a certain place as home, even as these ideals have, over recent years, taken on relative meaning. I photograph close to home as memory loses structure, its architecture, trying to make light speak from the fixed edges of rooms long vanished.’ - Raymond Meeks

Inspired by his daughter’s entrance into adulthood and her imminent departure from home, Raymond Meeks studies the centrifugal forces of the places we live – how they anchor us, repel us, and return to us – through scenes that appear both fragile and immovable. In these photographs, gardens give way to thicket, houses are suspended on stacked railroad ties, and telephone wires and train lines suggest the networks we build to find our way through the world’s wilderness.

Among these domestic landscapes are portraits of Meeks’ daughter, which capture the introspection and inquisitiveness of early adulthood while paying tribute to the ultimate mystery of their subject’s consciousness. Following the success of Meeks’ previous book, ciprian honey cathedral, Somersault is a concise, poetic reflection on home and the ties that bind us to it — all the stronger as they fade into the half-light.

The signed edition includes a slip signed by the artist and bound into the inside back cover.

Faint surface wear to the white cover.  Inside as new.